1365
8.0
HD国语
英俊少年
8.0
上映时间:03月11日 03:02
主演:海因切·西蒙斯,海因茨·莱纳克,歌琳德·洛克,保罗·达尔克,赫尔穆特·弗巴赫,克里斯蒂安·吕克尔,简·亨德里克斯,艾格尼丝·温德克,马丁·詹特,鲁道夫·申德勒,劳夫·沃尔特,弗里德里·希肖恩菲,罗伯特·梅恩,威尔·罗斯,尤韦·里希米斯特,罗尔夫·莫比乌斯,迪特·库尔索
简介:  “小小少年,很少烦恼,眼望四周阳光照……”少年海因切(Heintje Simons)虽自幼丧母,却从没失掉过对生活的乐观,他与父亲卡尔(Heinz Reincke)一起过着平静幸福的生活,每日,他都会对“不听话”的父亲“管教”一番。
“但有一天,风波突起,忧虑烦恼都到了……”海因切的外公贝特霍德(Paul Dahlke)是一名大实业家,早在海因切未出生时,他就因反对女儿和卡尔结婚与女儿切断了关系,某银行家的儿子为敲诈他将一笔银行失窃款栽赃到卡尔身上时,他视而不见,结果卡尔入狱,海因切在法律的帮助下来到他身边。渐渐地,贝特霍德感受到海因切带给他的温暖,而父亲被人冤枉的事,海因切也于无意间得知。
1365
HD国语
英俊少年
主演:海因切·西蒙斯,海因茨·莱纳克,歌琳德·洛克,保罗·达尔克,赫尔穆特·弗巴赫,克里斯蒂安·吕克尔,简·亨德里克斯,艾格尼丝·温德克,马丁·詹特,鲁道夫·申德勒,劳夫·沃尔特,弗里德里·希肖恩菲,罗伯特·梅恩,威尔·罗斯,尤韦·里希米斯特,罗尔夫·莫比乌斯,迪特·库尔索
1618
3.0
HD中字
老白男不难
3.0
上映时间:03月11日 02:50
主演:扬·约瑟夫·利费斯,纳迪娅·乌尔,弗里德里希·冯·图恩,迈克尔·梅尔坦斯,梅尔滕·卡普坦,莫莫·贝尔,尤里·温克勒,莎拉·玛希塔,皮埃尔·贝松,黄云,丹妮丝·姆巴耶,里昂·纳迪亚耶,埃利亚斯·穆巴里克,布鲁诺·亚历山大,大卫·巴尔克,利昂娜·格伦迪希,安德瑞斯·霍诺德,阿列克斯·姜戈,塞巴斯蒂安·科姆夫,斯特凡·梅吉,卡塔里娜·纳瓦罗·吉尔纳,蒂洛·普罗斯曼,罗珊妮·里特曼,沙法克·森格尔,卢卡斯·亚力山大
简介:  “Old White Man” examines the generational and cultural divide in today’s society through the lens of Heinz Hellmich, a middle-aged family man on the verge of losing his job after a series of communication blunders at work. Desperate to prove he’s not just an “old white man,” he invites his boss and guests to a dinner party, aiming to present his family as modern and “woke.” However, chaos ensues as old grievances resurface, unexpected guests arrive, and the conversation spirals through today’s most sensitive issues.
1618
HD中字
老白男不难
主演:扬·约瑟夫·利费斯,纳迪娅·乌尔,弗里德里希·冯·图恩,迈克尔·梅尔坦斯,梅尔滕·卡普坦,莫莫·贝尔,尤里·温克勒,莎拉·玛希塔,皮埃尔·贝松,黄云,丹妮丝·姆巴耶,里昂·纳迪亚耶,埃利亚斯·穆巴里克,布鲁诺·亚历山大,大卫·巴尔克,利昂娜·格伦迪希,安德瑞斯·霍诺德,阿列克斯·姜戈,塞巴斯蒂安·科姆夫,斯特凡·梅吉,卡塔里娜·纳瓦罗·吉尔纳,蒂洛·普罗斯曼,罗珊妮·里特曼,沙法克·森格尔,卢卡斯·亚力山大
1046
1.0
HD中字
情感的力量
1.0
上映时间:03月11日 02:37
主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke
简介:  The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
  Alexander Kluge: The Power of Feeling
  When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
  The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
  The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
  I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
1046
HD中字
情感的力量
主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke